Ace Jet 170

Better than mine

Damn them! Just look at it. Superb!

Extra special thanks to David for the link.

Pelican Bore

Thought you'd seen the last of my bloody collection? Well, so did I. Then I found even more. They're all (and I mean ALL) on Flickr now. Really.

I think these two are ace, but they also disturb me: The pictorial bits are great, but the titles! Why oh why so much leading on Uses...? And, where have all the rules gone? Why is the title on Sense... centred?

We need answers and we need them now, damn it!

But I doubt that we're going to get them.

All My Pelicans: On Flickr

Well it's only taken me about six months to sign up to Flickr but following Ben's suggestion I've actually gone and done it, and put all my Pelicans on. Enjoy.

All My Pelicans: Part 3

The third and (you may be relieved to know) final instalment of All My Pelicans and it's a big one, the biggest. I made a mistake in Part 1 in that I said (and thought at the time) that that was nearly half of the collection. Then I found this lot, so it was actually less than a third.

There's too many to go into very much detail but, for me at least, the stand out covers are most obviously Romek Marber's cover for Language in the Modern World, Bruce Robertson's design for The Comprehensive School, Lewin Bassingthwaighte's cover for Yoga and the two Fletcher covers: The Theory of Evolution and The Simplicity of Science. The latter design, I feel, could have been better rendered but I really like the idea which reminds me of these.

Other designers include (in no particular order) Hans Unger, Ole Vedel, Alan Spain, Derek Birdsall, Herbert Spencer, Colin Forbes, Barry Trengove, Larry Carter, Frederick Price, Richard Hollis, Gerald Cinamon and Tony Anderson.

So that's that. All my (Marber Grid) Pelicans. Well, except for this one, which I've "filed away" somewhere and can't lay my hand's on right now. If anyone's interested in knowing who designed what, just drop me a comment.

All My Pelicans: Part 2

Following on from the critically aclaimed All My Pelicans: Part 1, here are the rest of them:

By chance rather than design, I actually think Part 2 is even better and not just because it's bigger. If my memory serves me well (and do correct me if you know better) then the first two are by Germano Facetti. The next two are by Fletcher while Electronic Computers is Fletcher/Forbes/Gill.

The next three are Bruce Robertson's, who I've mentioned before. I have a feeling that Islam (exceptional!) and The Queen's Governement are by Lewis Bassingthwaighte.

I remember picking up The Liberal Hour and knowing instinctively it was a Birdsall, as are the previous three. Education looks like it could have been Birdsall but I know it's not (can't remember who though) while The Normal Child (also Birdsallesque) is, as I've mentioned before, Edwin Taylor along with Relativity… and I think John Citizen…

With special thanks to Ben, David and Michael for linking to Part 1.

All My Pelicans: Part 1

Every now and then I mention my loft-based Pelican collection and make an empty promise to get them online. Well here they are, or at least nearly half of them. You may have seen some of them before but I'm trying to get them all together and present them in a consistent way (on a knackered old box).

Stand out covers include Jock Kinnier's startlingly contemporary design for Sex in Society, the brilliant David Gentleman's cover for Aspects of the Novel and Herbert Spencer's cunning solution for A Short History of Religion.

Pelican: The Managerial Revolution

I've got loads of Marber Grid era Pelicans up in the loft, which I really must get down to blog. This Colin Forbes designed Pelican cover is probably my favourite.

I love how that management bloke breaks into the header bar and leans out of the artwork area. Typical Forbes wit.

Regarding Pelicans in general, what makes them so fascinating to me is, a) many covers are designed by designers that went on to greatness, like Forbes and Fletcher, and b) many remain excellent examples of clever, ideas-based graphic design.

The cover below is by Bruce Robertson, who specialised in diagramatic designs and who I've mentioned before. Robertson hid the Marber Grid in the drafting grid image but the masterful stroke is in the way he distorted the type, aligning it to the technical illustrations.

Pelican: Health in childhood etc.

A while back I mentioned my loft-based stash of Pelicans, Penguin's sister non-fiction brand. This is the one that started it.

I've always liked that translucent-coloured-band-overlaying-an-image thing so popular in the 60s and have used the same technique many times. So when I saw this lying in the bargain box of a second hand bookshop in Leicester I snapped it up for just 25p. I was delighted to discover later that it was designed by Derek Birdsall; you might remember my entry for the Penguin Education series for which Birdsall and his Omnific studio designed many brilliant covers.

Once I started looking for more I soon realised that although this one seems to be a one off, there's a huge pile of really interesting Pelican covers (utilising the brilliant Marber Grid) designed by some of the leading lights of the day.

Over the next few months I'll post more, and there's some really fantastic ones, but for now here's just a few. The Divided Self cover is by Martin Bassett and has been re-used over numerous editions, even after the Grid was dropped. The brilliantly executed Africa is by George Daulby, one time stable mate of Birdsall's and who sadly died in 2005. The Stagnant Society is by Germano Facetti, who died earlier this year. What's quite interesting about this latter Pelican is how it was also published as a Penguin Special with a different cover.