I know this doesn't help anyone but this is one of those books that you really have to see in the flesh to get why it's so irresistible. It's the qualities of ink on printed page; how the vivid colours sit on the actual off-white paper. But what's also interesting is how the book is an artist's view of sealife rather than, say, a botanists. To me, the patterns feel like they've been dramatised to emphasise their dynamism with an artist's or even a graphic designer's sensibility. It's all symmetry and repetition and a bit of chiaroscuro thrown in for good measure.
Have you also spotted the wonderful period dedication in this book?
Posted by: Tim Graham | 06 May 2010 at 10:41 AM
Hi Tim,
I'll have a look for it tonight. Thanks. It's a lovely book.
Posted by: Richard | 06 May 2010 at 11:46 AM
You are finding such amazing books.
Thanks for sharing them. I am on the
case to search a few of these beauties out.
Posted by: Coralie | 14 May 2010 at 12:25 PM
Hi Coralie,
Don't know how I manage it to be honest; it's all luck. (I know I've said this before but, your work is amazing!).
Thanks for visiting.
Posted by: Richard | 14 May 2010 at 12:47 PM
Thanks for your kindness Ace Jet
My work is nothing compared to Horse Stick!
Forever in my memory.
Posted by: Coralie | 14 May 2010 at 03:04 PM
Yeah, Horse Stick WAS great wasn't it.
Posted by: Richard | 14 May 2010 at 03:10 PM
Yes. Another fine example of your luck.
Posted by: Coralie | 14 May 2010 at 03:47 PM