Ace Jet 170

Bricks + Mortals

A history of eugenics told through buildings

 

 

Last week I was lucky enough to go to the Association of Heritage Interpretation annual conference, this year in Chester.

Three days. Lots of talks. Some not so good. Some amazing.

By far the best one I saw was by Subhadra Das from University College London. Das is a museum curator of UCL’s science collection and her talk, 'Bricks + Mortals', centred of the, now, little known Victorian scientist Francis Galton.

Galton was the first person to recognise that we all have unique fingerprints – in itself, not an insignificant contribution to the world – but he did loads more. He also invented and gave name to eugenics, the science of improving the genetic quality of a human population. Some, including Das, have described this as ‘the science of racism’ and for good reason. Back in the 1800s University College effectively legitimised this science which was, you will not be surprised to hear, adopted by the Nazis and has over the years fallen (or been pushed) into obscurity – although Galton had his disciples and UCL have a building named after him. If you listen to the podcast below you'll here about more well known names connected to eugenics.

Das has made it her mission to tell the story of Galton and his science, dragging it out of its hiding place (in plain site). So in that spirit, I thought I’d share a couple of links with you. Not exactly her talk from last week but a TEDx talk she did that includes quite a lot of her talk (and is also a bit different)…and below that…

 

 

…the UCL web page that is all about her exhibition ‘Bricks + Mortals’, and includes a podcast you should listen to (that is actually her talk and more). That's here.

Houston, we have a problem…

They said it couldn’t be done. They said, it was impossible. They said that 'The Thing' could not ‘travel’ to 'The Place'; that it could not happen. It was impossible.

Even now, some claim that it did not happen. They claim that it could not have happened. But let me tell you, with complete certainty, that it did happen. I know. I was there. I saw it.

Yes…the postman really did post a commemorative 45” single from 1969 through our letterbox. A letterbox, notably, not big enough for this vintage News of the World give-away. A letterbox that measures less than the requisite 7” across, at its widest point.

So how did he do it? I here you ask. HTF? (As the younger generation might abbreviate). How was it possible to bend the laws of physics, to pervert known science – to make something so big, fit through something so not big? How?

By bending it. By fecking bending it.

 

But this was no flexidisc, oh no. This disc did not flex. Or bend. It did not bend and it did not flex. It did not fold and it did not contort. It did, what it had to do. All that it could do.

It fecking broke.

We can send a man to the moon. We can record the account of that journey and we can press that account into a disc of plastic to be played back using a turny thing and a needle. We can package that disc of plastic inside a printed account of the remarkable happenings of that time. We can slip both disc and leaflet into a printed space map depicting the journey made all those years ago. And we can stick all that stuff into a specially manufactured glossy card sleeve with a moon boot on the front.

But we can’t post all that shit through a hole smaller than it without something happening that is not supposed to happen. It's a scientific fact.

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