A few weeks ago I post a set of map key extracts along with a suggestion that they were the beginnings of something. Here is that something else. Sewn weirdness that keeps my itchy fingers busy during idle moments. I've put them on the Ace Jet spin off ThreadForms.
I've put most of the thread art pieces I've made so far here on threadforms.com…and I've given them all names. Some make sense, some…well…make your own mind up.
Extracted from Ordnance Survey map keys, actually from a 1975 metric edition of B. Lockey's The interpretation of Ordnance Survey maps and geographical pictures. I've got plans for them. Isolated like this, 'Saville vs. Wainwright' sprang to mind.
Prints of Instagrammed images of Northern Ireland's north coast with intersecting thread lines of black and red. I've been working on thread compositions for a few years now. It's an on-going project that's seen long periods of inactivity and short, frenzied bursts of needlework.
I feel that it could be my most original pastime. I'm not sure what the precedent is…Maybe the string pictures of the seventies; precisely spaced tacks on felt-wrapped boards, intertwined with cotton or string to create analogue moiré patterns, as in Barbara Hepworth's Orpheus (Maquette 2) (Version II), from 1956, edition 1959…
Perhaps it's the influence of my wife's craft activities – the presence of cotton thread was a constant in our house before she had her own studio space. Then again, I can see the influence of El Lissitsky's Suprematist work that I used to be obsessed with. Add to that the slightest hint – a mere pinch – of collage (another obsession) and I can begin to see how my brain brought these into existence.
I'm just putting these here. I've sold a couple, without trying but one day I'd like to get them out there and see if anyone's interested. Personally, I love them, which is the best place to start. Watercolour with cotton threads.